It is Day Two of a three-day weekend. On Friday night a friend and I bussed down to lower Queen Anne to watch Leonard Cohen play at the Key Arena. It was a fitting prelude to what has become the most sedentary few days of this year. Between paragraphs of All the Pretty Horses, I’ve stayed up late watching Doctor Who, played Halo 4 with my 3rd Hill brothers, absconded to a 24-hour breakfast joint, and listened to Christmas albums with friends while sharing the parts of our lives that need a Christmas the most. The skies begin to dim by at least 4:30 pm, making more than half of the day night. Veni, Domine Jesu.
After my friend and I exited the bus at our stop, picked up some Americanos at Caffe Zingaro, and browsed a wonderful used bookstore, we walked a couple blocks to the arena. A cloud of white hair had descended in front of it and was slowly being sucked in. My friend took a final drag of her cigarette and puffed out the smoke before we entered the cloud.
It wasn’t just old people. There were middle-aged people, a few other college students, and we even saw one young family with two kids that had to be under ten. After picking out our tour t-shirts—mine with a sketch of a very haggard looking Leonard, hers with a beautiful bird perched on a branch—we found our seats in the upper ring. Out came the man with his old school backing band, Sharon Robinson, and the Webb sisters. The speakers weren’t blasting like most concerts I’ve attended, and the audience was fairly dead (we clapped in time for one song and most people only sang along in the chorus of Hallelujah, when the sound technician kindly aimed the stage lights at us for a queue.) Continue reading